He then beats it in an agitated fashion, telling Mrs Moyland to pretend to have heard nothing. As she dithers uncertainly in the background, Galesko fields the pre-planned call from Deschler, arranging to meet him at a junkyard at 5pm before cutting him off and pretending to engage in debate with kidnappers. This was the camera Galesko used to photograph Frances at the ranch.Ĭut to the next day and a distracted-looking Galesko lets his housekeeper, Mrs Moyland, in and evasively answers her questions as to the whereabouts of Mrs Galesko. Deschler gleefully accepts, before coming clean that a camera he’d bought at Galesko’s request has been stolen from his motel room.
Galesko makes Deschler promise to ring him at home from his motel room at 10am the next day.
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How many times do I have to tell you Al, NEVER trust a man in backless driving gloves…įrom there he’s off to a lakeside rendezvous with treble-denimed, mild-mannered ex-con Alvin Deschler, who has been running a series of odd jobs for Galesko (including purchasing the ranch) for the last 3 weeks following release from prison. Galesko then stops in at a gas station to establish his 2pm alibi, ringing his pretty assistant Lorna McGrath and telling her to pack her bags for a photographic trip to the Philippines with him that he claims Frances is completely in favour of! What a vivid imagination these creative types have! And I have nothing to face that day but another 24 hours with a domineering, nagging, suffocating woman who took all the joy out of my life.” He then produces a gun from his briefcase and slays Frances in cold blood. “And then I always wake up and I want to cry. Unfortunate accident’,” he explains, his tone awfully even. I’m working and there’s a phone call and he says, “Terribly sorry, Mr Galesko, but your wife’s dead. And as put-downs go, it’s a pretty juicy one. Galesko then gives Frances a lecture on how miserable she’s made him over the last few years. Grappling with Frances, he forces her into a chair and securely ties her into place before taking photos of her on a Polaroid-style camera – a cheap clock placed on the mantelpiece setting the time at 2pm.
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Unable to hide her scorn for the place, she pours forth a torrent of abuse – only silenced when she turns to see Galesko flexing a length of rope with a murderous look on his face.
Her mood doesn’t improve when she sees the state of the ranch. Frances isn’t interested in slumming it, but finally agrees after some earnest cringing from her cowed other half. The gin-soaked nag further admonishes her husband when he pleads to be allowed to take her out to see the ‘ranch’ he’s just purchased. Why would he do this, you ask? We soon find out, as Galesko is summoned by the shrill cries of Frances, who is chiding him for messing around when she wants to be driven to Lilleby’s auction house, where she has her eye on a ‘divine’ tea set. Pulitzer Prize-winning photographer Paul Galesko (Dick Van Dyke, bearded) is hard at work in his darkroom, but he ain’t developing pictures! He’s actually putting the final touches to a sham ransom note that claims kidnappers have seized his wife, Frances.Īfter years of nagging, Galesko finally sees red *chortle* Score by: Bernardo Segall Episode synopsis: Columbo Negative Reaction Nevertheless, the lovable man of comedy was cast as the prime antagonist in Negative Reaction, which aired on 15 October 1974.Ĭan the laugh-a-minute DVD play against type to convince as murderous photographer Paul Galesko? Or will his inherent harmlessness blunt the episode’s edge? Let’s whip out our ancient cameras and get ready to bellow ‘ Were you a witness to what he just did?‘ as we find out… Dick Van Dyke sporting a novelty beard isn’t necessarily the first thought when the words ‘ Columbo killer’ are uttered.
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